You are given many opportunities in life to choose to be a victim or creator. When you choose to be a victim, the world is a cold and difficult place. "They" did things to you which caused all of your pain and suffering. "They" are wrong and bad, and life is terrible as long as "they" are around. Or you may blame yourself for all your problems, thus internalizing(内化)your victimization. The truth is, your life is likely to stay that way as long as you feel a need to blame yourself or others.
Those who choose to be creators look at life quite differently. They know there are individuals who might like to control their lives, but they don't let this get in the way. They know they have their weaknesses, yet they don't blame themselves when they fail. Whatever happens, they have choice in the matter. They believe their dance with each sacred(神圣的)moment of life is a gift and that storms are a natural part of life which can bring the rain needed for emotional and spiritual growth.
Victims and creators live in the same physical world and deal with many of the same physical realities, yet their experience of life is worlds apart. Victims relish (沉溺)in anger, guilt, and other emotions that cause others---and even themselves---to feel like victims, too. Creators consciously choose love, inspiration, and other qualities which inspire not only themselves, but all around them. Both victims and creators always have choice to determine the direction of their lives.
In reality, all of us play the victim or the creator at various points in our lives. One person, on losing a job or a special relationship, may feel as if it is the end of the world and sink into terrible suffering for months, years, or even a lifetime. Another with the same experience may choose to first experience the grief, then accept the loss and soon move on to be a powerful creative force in his life.
In every moment and every circumstance, you can choose to have fuller, richer life by setting a clear intention to transform the victim within, and by inviting into your life the powerful creator that you are.
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What does the word "they" in Paragraph 1 probably refer to?
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| 2． |
According to Paragraph 2, creators.
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| 3． |
What can we learn from Paragraph 3?
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| 4． |
The examples mentioned in Paragraph 4 show that.
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| 5． |
What is the author's purpose in writing this passage?
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You just think you know what will make you happy. Researchers in the new science of happiness know better. They have evidence that married people on average end up being no happier than they were before the wedding. Winning the lottery (彩票) will probably reduce your pleasure in ordinary events that used to make you happy. And being in good health isn't as much of a factor as the right genes when it comes to satisfaction.
Soligman and Diener studied 222 Illinois college students to find out what the happiest 10% had in common. It turned out they were extroverts (外向的人), had more friendships and romantic relationships, but didn't exercise more and didn't feel they had more good events in their lives than those who weren't as happy.
Some of the results come as a surprise. A classic study of lottery winners and people with spinal (脊骨) cord injuries, for instance, found that neither event changed their lives as much as observers thought they would.
Gilbert is looking into how accurately people predict what will make them happy, which turns out, not accurately at all. What we think will bring us pleasure—a new car, the home team winning the NCAA championship, a move to California—usually doesn't bring us as much as we expected, and the positive impact doesn't last as long. The good news is that we also overestimate the impact of catastrophic (悲惨的) events. Even with data from research pouring in, scientists still don't have an easy answer to what we all want to know: How do I get long-term life satisfaction? The answers they do have are often the same ones that philosophers and priests have been giving us for centuries. It's just nice to have them backed up with hard data.What does the passage mainly discuss?
| A．A research on happiness. |
| B．The level of happiness. |
| C．The secrets of happiness. |
| D．The prediction of happiness. |
The happiest people have the following characters except that __________.
| A．they are rich |
| B．they are outgoing |
| C．they are very sociable |
| D．they don't pay more attention to exercise |
According to the passage, we can know if the hurricane happens, it will cause __________.
| A．more suffering than people expect |
| B．as much suffering as people expect |
| C．less suffering than people expect |
| D．nothing is mentioned about it |
Which of the following is TRUE according to the passage?
| A．We ourselves know what makes us happy the best. |
| B．The happiest 10% in the world have nothing incommon. |
| C．People can predict the things that make them happy accurately. |
| D．We just need to do what the philosophers and priests tell us to keep happy. |
A spiraling (成螺旋形的) tower made from thousands of books in dozens of languages is the later landmark in Buenos Aires, named the World Book Capital this year.
Called the Tower of Babel, the 25-meter high tower by Argentina's artist Marta Minujin is made from 30, 000 books, donated by readers, libraries and more than 50 embassies.
Climbing up its seven floors, visitors to the tower hear music composed by Minujin and the voice of the artist repeating the word "book" in scores of languages.
"Building this tower is really a wonder," Minujin said, standing before the structure as curious passersby looked at a downtown city square. "A hundred years from now, people will say 'there was a Tower of Babel in Argentina... and it didn't need translation because art needs no translation'."
Minujin, who worked with US artist Andy Warhol, built a full-scale mode of the Parthenon in Buenos Aires in 1983, using books banned by the military dictatorship (专政) that ended that year.
This year's book tower marks Buenos Aires' naming as the 2011 World Book Capital by the United Nations Educational Scientific and Cultural Organization (UNESCO).
"We've been laying books for 10 days straight, " said Sebastian Atienza, 26, who works for the company that built the tower under Minujin's command. "But it's worth it. It's where all languages come together."
When the exhibit ends later this month, Minujin said literature lovers will be allowed to come and pick one book each. The rest will be brought down to start a new archive (档案馆) that has already been named The Library of Babel, the name of a story by Argentina's most famous author, Jorge Luis Borges.According to the passage, the Tower of Babel __________.
| A．is made from 30，000 books from nearly 50 countries |
| B．is designed by American artist Matte Minujin |
| C．will hold the book exhibition for 10 days |
| D．has a height of twenty-five meters |
After the book exhibition, most books will be __________.
| A．handed out among visitors |
| B．donated to UNESCO |
| C．sent to Argentina's new archive |
| D．bought by Jorge Luis Borges |
The passage is probably taken from a (n) __________.
| A．advertisement |
| B．tourism guide |
| C．textbook |
| D．newspaper |
The research carried out by the University of Bari in Italy could help prove hospitals who are accused of wasting money on art and decoration as it suggests a pleasant environment helps patients ease discomfort and pain.
A team headed by Professor Marina de Tommaso at the Neurophysiopathology Pain Unit asked a group of men and women to pick the 20 paintings they considered most ugly and most beautiful from a selection of 300 works by artists such as Leonardo da Vinci and Sandro Botticelli. They were then asked to look at either the beautiful paintings, or the ugly painting, or a blank panel while the team zapped(照射) a short laser pulse at their hand, creating a sensation as if they had been stuck by a pin. The subjects rated the pain as being a third less intense while they were viewing the beautiful paintings, compared with when looking at the ugly paintings or the blank panel. Electrodes measuring the brain's electrical activity also confirmed a reduced response to the pain when the subject looked at beautiful paintings.
While distractions, such as music, are known to reduce pain in hospital patients, Prof de Tommaso says this is the first result to show that beauty plays a part.
The findings, reported in New Scientist, also go a long way to show that beautiful surroundings could aid the healing process.
"Hospitals have been designed to be functional, but we think that their artistic aspects should be taken into account too," said the neurologist. "Beauty obviously offers a distraction that ugly paintings do not. But at least there is no suggestion that ugly surroundings make the pain worse. " "I think these results show that more research is needed into the field how a beautiful environment can alleviate suffering."
Pictures they liked included Starry Night by Vincent Van Gogh and Botticelli’s Birth of Venus. Pictures they found ugly included works by Pablo Picasso, the Italian 20th century artist Anonio Bueno and Columbian Fernando Botero. "These people were not art experts so some of the pictures they found ugly would be considered masterpieces by the art world," said Prof de Tommaso.The underlined word "alleviate" in the fifth paragraph probably means"__________"
| A．cure |
| B．ease |
| C．improve |
| D．kill |
How many artists have been mentioned in the passage?
| A．4. |
| B．5. |
| C．6. |
| D．7. |
Which of the following is TURE about the view of Prof de Tommaso's?
| A．Beautiful surroundings could help to heal sufferings completely. |
| B．Hospitals must take their artistic aspects into consideration first. |
| C．Ugly surroundings will surely make the pain worse. |
| D．Both music and beauty can reduce pain in hospital patients. |
From the last paragraph, we know that __________.
| A．some artists' paintings were beautiful, so they were masterpieces |
| B．only art experts could judge they were masterpieces or not, though ugly |
| C．the artists mentioned above were not really art masters |
| D．some of them were art masters, while otherswere not |
Which of the following is the suitable title for the passage?
| A．Beautiful Surroundings can Ease Pain. |
| B．Ugly Paintings could be Masterpieces. |
| C．More Research should be Done in the Field. |
| D．Latest Environmental Research. |
(Nanowerk News) A villa designed to resist earthquakes with "self healing" cracks in its walls, thanks to nanotechnology applications with selfhealing polymers (聚合物), is to be built on a Greek mountainside. The villa's walls will include special particles that turn into a liquid when squeezed under pressure, flow into cracks, and then harden to form a solid material.
The Nano Manufacturing Institute (NMI) ， based in Leeds University, will play a key role in an EU project to construct the home by December 2010. The project, called "Intelligent Safe and Secure Buildings" (ISSB) is funded under the EU's Sixth Framework program. This potentially life saving scheme is led by German building manufacturer Knauf. The villa will be built in Amphilochia, in western Greece, where Knauf currently runs a manufacturing plant. If the experiment is successful, more tremor resistant (防震) homes could be built in earthquake zones across the globe. NMI chief executive Professor Terry Wilkins said, "What we're trying to achieve here is very exciting. We're looking to use polymers in much tougher situations than ever before on a larger scale." Monitors contained in the villa's walls will be able to collect vast amounts of data about the building over time. Wireless sensors will record any stresses and vibrations, as well as temperature, humidity and gas levels.
The walls are to be built from novel load bearing steel frames and high strength gypsum board. Prof Wilkins said, "If there are any problems, the intelligent sensor network will be able to alert residents immediately so they have time to escape. If whole groups of houses are so constructed, we could use a larger network of sensors to get even more information. If the house falls down, we have got handheld devices that can be used over the rubble to pick out where the embedded (嵌入的) sensors are hidden to get some information about how the villa collapsed. "Also, we can get information about anyone who may be around, so it potentially becomes a tool for rescue.The aim of the passage is to __________.
| A．report a piece of interesting news |
| B．promote tremor resistant homes |
| C．inform us of the nanotechnology development |
| D．tell us about a tremor resistant home |
The villa can resist earthquakes because __________.
| A．it will be built on a special place |
| B．the cracks in its walls can be healed by the polymers |
| C．the special particles can make its walls stronger |
| D．the intelligent sensor network can tell people where there is a crack |
If the tremor resistant home falls down, __________.
| A．no one can be hurt in the earthquake |
| B．the intelligent sensor network will stop working |
| C．rescue work can be done more quickly and accurately |
| D．a warning signal will be given to other residents |
What Prof Wilkins said suggests that __________.
| A．he is doubtful about the project |
| B．he thinks the tremor resistant home is perfectly designed |
| C．he is confident in the tremor resistant home |
| D．the tremor resistant home still needs to be tested in a real situation |
It can be inferred from the passage that tremor resistant home __________.
| A．is still being tried out |
| B．is already under construction |
| C．has been in wide use |
| D．will be put into wide use soon |
When you think of an artist, you probably think of someone painting on canvas (画布). But Guido Daniele creates fantastic paintings of birds, elephants, tigers, and giraffes by painting on skin. Born in Soverato, Italy, Guido Daniele has been called "Hand Gogh" (after artist Vincent van Gogh) since he began creating works of art on people's hands in 1990.
Painting on the hands can be a challenge because, unlike canvas, the skin moves when rubbed. Daniele's models must remain perfectly still for hours as he paints. He often uses his daughter and his son as his "canvases".
Before he can begin to create his "manimals" (the artist's name for his hand animals), Daniele studies photographs of the animal that he will be painting in order to be able to understand its character and give it life. "Next," he says, "I look at the hand from different perspectives (视角), and I beginto imagine what is the best way to position the hand for me to paint the animal. ” He also studies the skin of the model, preferring it to have little hair and few blemishes (瑕疵).
Daniele starts by drawing on the model's hand with a pencil. He next paints the skin using watercolors made specifically for body art. The eyes of Daniele's painted animals look amazingly real, and they are the most difficult part to paint.
Paintings on hands must eventually be washed away. Guido Daniele says that he's gotten used to this part and that he doesn't really mind seeing his work washed down the drain (排水沟) "Tomorrow, I will paint the next one. The important thing is to take many good photographs before washing the hand!"Daniele's paintings are mainly about __________.
| A．scenery |
| B．plants |
| C．stories |
| D．animals |
In Paragraph 3 the author mainly tells us __________.
| A．what Daniele needs to do before painting |
| B．why Daniele chooses to paint "animals" |
| C．how Daniele develops his own style of painting |
| D．how Daniele paints on the skin of his models |
How does Daniele feel about he fact that his paintings must be washed away?
| A．He feels disappointed at this. |
| B．He cares little about this. |
| C．He is satisfied to see this. |
| D．He in fact can't accept this. |
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