唐代画家戴嵩曾作《斗牛图》，因其形象生动逼真，技法炉火纯青，

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唐代画家戴嵩曾作《斗牛图》，因其形象生动逼真，技法炉火纯青，一直被视作珍品。一次此画被告一牧童瞧见，牧童大笑道：“两牛相斗，从来都是尾巴紧贴屁股下面，哪有尾竖朝天。”《斗牛图》终于失去了存在的价值。牧童知道两牛相斗从来都是尾巴紧贴屁股下面，这说明了

A．实验是认识发展的动力量对比

B．实践是认识的来源

C．实践是检验认识的真理性的唯一标准

D．实践是认识的目的和归宿

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