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Jiang Wen is at the top of the world - the world of Chinese cinema. His Let the Bullets Fly has just broken the box-office record for a Chinese film with some 700 million yuan ($107 million). It is s  a big success that wherever you go, you can hear p  talking about Bullets.
This time, he is not o the leading actor in the film, but also the director himself. Young people believe he was playing himself because to them, he h  is a true man. And experts (专家) also think highly of his way of t stories. It seems that he does not need others to tell him h  great he is ––– not any more.
That does not mean he is not p  of Bullets. It’s just that Bullets, for him, is fun. He has heard of all the political interpretations（政治隐喻的解读）of his story that have appeared across the Internet.
The m  wonderful scenes in his movies all seem to have something to do with reality (现实), for example, in Bullets it opens with a train pulled by white horses.
“I did not i this set-up. For 30 years in the early 20th century, there was a part of rail line in Northeast China that was powered by h ,” he explains, “You may come up with the most unlikely scenes, and you’ll find that fact is stranger than fiction.