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Looking for a low-cost path to self-knowledge? A way to mine your subconscious (潜意识的) for clues to your motivations, desires and fears? No need to have years of treatments or analyses. Just look to your dreams.
“You can ignore your dreams, but you are really doing harm to yourself,” says Lauri Quinn Loewenberg. “If so, you're letting red flags pass you by, letting great ideas pass you by.”
Some sleep researchers believe dreams are more directly related to our moods and emotions and can serve as tools to self-understanding. Dreams occur during the REM (rapid eye movements) cycles of sleep each night. For adults, that means about every 90 minutes. The first period of REM sleep may be short, 5 to 10 minutes, followed by longer periods, finally reaching an hour or more in the fourth or fifth period.
When people are dreaming, brain scans show a lot of activities. The brain is online during dreams. The experiences you have during the day are connected during dream sleep. People we know or experiences we've had at different times in our lives may be different in the same dream.
AmyBeth Gilstrap has had the same recurring(再次发生;循环) dream that annoyed her since Hurricane Katrina drove her and her daughter and friends out of New Orleans. Mrs. Gilstrap says, “It is always spies. My job is to get people to some place.” She's certain the dream is related to her efforts in the hurricane to help several families leave. Sometimes her cats also are part of that dream. That's because she went back into New Orleans, before it was allowed, to rescue her cats.
Today, through brain scans scientists have known that the parts of the brain that control emotions and long-term memories are active during the REM sleep.
57. The passage is mainly to tell readers .
A. dreams are mainly caused by hard work B. dreams can offer us key to self-knowledge
C. dreams are only activities of our brains D. how dreams help us solve our problems
58. According to the words from Lauri Quinn Loewenberg, .
A. dreams can make you feel badly ill B. you often have red flags in your dreams
C. dreams will make your life colorful D. you may get great help from your dreams
59. According to the passage, the underlined word “It” in Paragraph 5 refers to .
A. Mrs. Gilstrap's dream B. Mrs. Gilstrap's job
C. Hurricane Katrina D. New Orleans
60. According to the passage, when you are dreaming at night, .
A. your dream is connected with your work in the day
B. the dream will generally last about 5 to 10 minutes
C. the longer dream should be in the later part of the sleep
D. your eyes will not move during the time
They were going to Fort Lauderdale — three boys and three girls — and when they boarded the bus, they were carrying sandwiches and wine in paper bags, dreaming of golden beaches and sea tides as the gray, cold spring of New York went behind them.
As the bus passed through New Jersey, they began to notice Vingo. He sat in front of them, completely in silence.
Deep into the night, outside Washington, the bus pulled into Howard Johnson’s, and everybody got off except Vingo. The young people began to wonder about him. When they went back to the bus, one of the girls sat beside him and introduced herself.
“Want some wine?” she said. He smiled and took a swig from the bottle. He thanked her and became silent again. After a while, she went back to the others, and Vingo nodded in sleep.
In the morning, they awoke outside another Howard Johnson’s, and this time Vingo went in. The girl insisted that he join them. He ordered black coffee and some cookies as the young people talked about sleeping on beaches. When they returned to the bus, the girl sat with Vingo again, and after a while, slowly and painfully, he began to tell his story. He had been in prison in New York for the past four years, and now he was going home.
“Are you married?”
“I don’t know.”
“You don’t know?” she said.
“Well, when I was in prison I wrote to my wife,” he said, “I told her that I was going to be away for a long time, and that if she couldn’t stand it, if the kids kept asking questions, and if it hurt her too much, well, she could just forget me. I’d understand. Get a new man, I said — she’s a wonderful woman. I told her she didn’t have to write me. And she didn’t. Not for three and a half years.”
“And you’re going home now, not knowing?”
“Yeah. Well, last week, when I was sure the parole (假释) was coming through, I wrote her again. We used to live in Brunswick, just before Jacksonville, and there’s a big oak (橡树) just as you come into town. I told her that if she didn’t have a new man and if she’d take me back, she should put a yellow handkerchief on the tree, and I’d get off and come home. If she didn’t want me, forget it — no handkerchief and I’d go on through.”
“Wow,” the girl exclaimed, “Wow.”
She told the others, and soon all of them were in it, looking at the pictures Vingo showed them of his wife and three children.
Now they were 20 miles from Brunswick, and the young people took over window seats on the right side, waiting for the approach of the great oak. Vingo stopped looking, tightening his face, as if protecting himself against still another disappointment.
Then Brunswick was ten miles, and then five. Then, suddenly, all of the young people were up out of their seats, shouting and crying.
Vingo sat there astonished, looking at the oak. It was covered with yellow handkerchiefs — 20 of them, 30 of them, maybe hundreds, flying in the wind. As the young people shouted, Vingo slowly rose from his seat and made his way to the front of the bus to go home.At the beginning of the story, the young boys and girls ______.
| A．showed a great interest in Vingo | B．didn’t notice Vingo at all |
| C．wanted to offer help to Vingo | D．didn’t like Vingo at all |
The underlined part “Howard Johnson’s” is most probably a(n) ______.
| A．bus station | B．apartment | C．hospital | D．restaurant |
How did Vingo feel on the way home?
| A．Ashamed. | B．Relaxed. | C．Nervous. | D．Disappointed. |
The paragraphs following this passage would most probably talk about ______.
| A．Vingo’s experience in prison |
| B．the young people’s travel to Fort Lauderdale |
| C．Vingo’s three lovely children |
| D．the dialogue between Vingo and his family |
Twenty-first century humanity has mapped oceans and mountains, visited the moon, and surveyed the planets. But for all the progress, people still don’t know one another very well.
That brings about Theodore Zeldin’s “feast of conversation”－events where individuals pair with persons they don’t know for three hours of guided talk designed to forget the past “Where are you from?”
Mr. Zeldin, an Oxford University professor, heads Oxford Muse, a 10-year-old foundation based on the idea that what people need is not more information, but more inspiration and encouragement.
The “feast” in London looks not at politics or events, but at how people have felt about work, relations among the sexes, hopes and fears, enemies and authority, the shape of their lives. The “menu of conversation” includes topics like “How have your priorities changed over the years?” Or, “What have you rebelled against the past?”
As participants gathered, Zeldin opened with a speech: that despite instant communications in a globalized age, issues of human heart remain. Many people are lonely, or in routines that discourage knowing the depth of one another. “We are trapped in shallow conversations and the whole point now is to think, which is sometimes painful,” he says. “But thinking interaction is what separates us from other species, except maybe dogs…who do have generations of human interactions.”
The main rules of the “feast”: Don’t pair with someone you know or ask questions you would not answer. The only awkward moment came when the multi-racial crowd of young adults to seniors, in sun hats, ties and dresses, looked to see whom with for hours. But 15 minutes later, everyone was seated and talking, continuing full force until organizers interrupted them 180 minutes later.
“It’s encouraging to see the world is not just a place of oppression and distance from each other,” Zeldin summed up. “What we did is not ordinary, but it can’t be madder than the world already is.”
Some said they felt “liberated” to talk on sensitive topics. Thirty-something Peter, from East London, said that “it might take weeks or months to get to the level of interaction we suddenly opened up.”What can the “conversations” be best described as?
| A．Deep and one-on-one. | B．Sensitive and mad. |
| C．Instant and inspiring. | D．Ordinary and encouraging. |
In a “feast of conversations”, participants ______.
| A．pair freely with anyone they like |
| B．have a guided talk for a set of period of time |
| C．ask questions they themselves would not answer |
| D．wear clothes reflecting multi-racial features. |
From the passage, we can conclude that what Zeldin does is ______.
| A．an attempt to promote thinking interaction |
| B．one of the maddest activities ever conducted |
| C．a try to liberate people from old-fashioned ideas |
| D．an effort to give people a chance of talking freely |
They like using the Internet. They have lots of pocket money to spend. And they spend a higher proportion of it online than the rest of us. Teenagers are just the sort of people an online seller is interested in, and the things they want to buy－games, CDs and clothing－are easily sold on the Web.
But paying online is a troublesome business for consumers who are too young to own credit cards. Most have to use a parent’s card. They want a facility that allows them to spend money.
That may come sooner than they think: new ways to take pocket money into cyber (网络的) space are coming out rapidly on both sides of the Atlantic. If successful, these products can stimulate online sales.
In general, teenagers spend huge amounts: $153bn (billion) in the US last year and ￡20bn annually in the UK. Most teenagers have access to the Internet at home or at school－88 percent in the US, 69 percent in the UK. According to the Jupiter Research, one in eight of those with Internet access has bought something online－mainly CDs and books.
In most cases, parents pay for these purchases with credit cards, an arrangement that is often unsatisfactory for them and their children. Pressing parents to spend online is less productive than pressing them to spend on the high street. They are more likely to ask “Why?” if you ask to spend some money online.
One way to help teenagers change notes and coins into cybercash is through prepaid cards such as InternetCash in the US and Smart cards in the UK. Similar to those for pay-as-you-go mobile telephones, they are sold in amounts such as￡20 or $50 with a concealed 14-digit number that can be used to load the cash into an online account.What does the word “They” in paragraph 1 refer to?
| A．Sellers. | B．Buyers. | C．Teenagers. | D．Parents. |
According to the passage, which of the following statements is TRUE?
| A．More than half of the teenagers in the US and the UK have Internet access. |
| B．Teenagers pay for goods online with their own credit cards. |
| C．Most teenagers in the US and the UK have bought something online. |
| D．Teenagers found it easier to persuade parents to buy online than in a shop. |
New way to help teenagers shop online is to use ______.
| A．a new machine | B．special coins and notes |
| C．prepaid cards | D．pay-as-you-go mobile phones |
What is the passage mainly about?
| A．Online shopping traps. |
| B．Internet users in the US and the UK. |
| C．New credit cards for parents. |
| D．The arrival of cyber pocket money. |
Student Membership-----Cambridge Arts Cinema
Cambridge Arts Cinema is one of the art houses in Britain and home of the internationally celebrated Cambridge Film Festival. Since 1947 generations of students have discovered the wealth of world cinema. Now you too can make most of it and save money.
Which of the following is the most famous event held at Cambridge Arts Cinema?
| A．The Cambridge Film Festival. | B．Meetings with filmmakers. |
| C．The preview screening. | D．Monthly premieres. |
If you're a member of Cambridge Arts Cinema, you will enjoy free＿
| A．Darkroom Gallery shows | B．mailed programmes |
| C．special film events | D．film shows |
How long will the membership for Cambridge Arts Cinema last?
| A．Four months. | B．Eight months. |
| C．Nine months. | D．One year. |
For what purpose is the text written?
| A．Offering students cheaper tickets． |
| B．Announcing the opening of a premiere. |
| C．Telling the public of the cinema's address. |
| D．Increasing the cinema's membership. |
Twice in the past few days, I've witnessed families arguing to the point of having major 'falling outs' (when you get so angry with each other that there is threat of withdrawing love from a family member and/or abandoning the relationship). Last night, one of those situations occurred and a friend contacted me on QQ and asked my advice.
Their situation arose where a son-in-law had disagreements with his wife and then got into a quarrel with his mother-in-law and father-in-law. In the end, the son-in-law threatened to cut off all relationship with his in laws and also to deny his in laws a relationship with his own daughter, their granddaughter.
Not only did the son-in-law threaten his wife's parents, but he has followed through with his threat and hasn't allowed his wife or his child to have any contact with his wife's parents in almost a year.
The first question my friend asked me was, "Michael, what do you do when you get into a quarrel with your family?" I said, "I don't know." They said, "Well what about when you quarrel with your mother or one of your siblings (brother or sister)?" I said, "I don't know." He said, "Well, what would you do if you got into an argument with your in laws when you were married?" I said, "I don't know." He said, "What do you mean that you don't know?" I said, "Well, I never got into a quarrel with my in-laws, my mother or my siblings." He said, "Be serious, Michael. I need some help with this situation." I said, "I am serious. I never quarreled with mother, brother, sister, father-in-law, mother-in-law or brother-in-law. At least not in my adult life (since I turned 18 years old)." My friend found it hard to believe that I never did any of these things. I suppose (I really don't know; Ha!) that many people wouldn't believe that an entire family could maintain a such a level of peace, harmony, respect and love. The truth is, my family doesn't do those things.
You may wonder 'why' we don't do that. Well, I never really thought about 'why' we don't do that. But I do know, we don't. So, I did the most logical thing I could think of. I asked my mother 'why' we don't quarrel, argue, fight and have such situations. Some people believe that if you don't argue, quarrel and fight, then, you don't care enough. I would say that my family cares very deeply for each other and love each other and express our love to each other, very often. We don't believe that you have to quarrel, argue and fight in order to show that you care and that you love the other. Instead, we show that we love, care and respect each other by, well, loving, caring and respecting each other. What can we infer from the passage？
| A．The writer doesn’t care his family. |
| B．The writer has cultural differences with his friends. |
| C．The writer often quarrels with his family member. |
| D．The writer knows why their family don’t quarrel. |
How did the quarrel mentioned in the passage happen?
A.The son-in-law had disagreements with his wife.
BThe son-in-law had disagreements with his in laws.
C.The son-in-law had disagreements with his daughter.
D.The son-in-law threatened to cut off relationships with his in laws.How many questions did the friend ask the writer?
| A．2 | B．3 | C．4 | D．5 |
How do the members in the writer’s family live in harmonious？
| A．by quarrelling with each other. |
| B．by showing love, care and respect to each other. |
| C．by living together with each other. |
| D．by giving gifts to each other. |
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